The role of higher education in establishing structures and procedures in society and industry is clearly articulated in scholarly discussions. The narrative has recently taken a new momentum in Kenya with acknowledgement of the creative industry involves many youth, as an area that impacts on the economy. In unravelling the link between higher education and industry, the authors focus on leadership and governance in higher education and its expected and perceived contribution to the shaping of the creative industry. Through analysis of cases, the authors interrogate the processes and structures that govern the teaching and practice of the creative subjects, noting how these affect the creative industry in Kenya.
This book approaches the creative disciplines from the perspectives of the students, lecturers and university administrators. The three voices provide a balanced view of what higher creative arts education in Kenya is. The multiple authorship of the book further provides a balanced account of the development of these disciplines in higher education, and their growth in industry. The key concepts here are the development of the creative industry and how higher education should contribute to the same.
Emily Achieng’ Akuno (Phd) is professor of music at the Technical University of Kenya, where she is also the executive dean of the Faculty of social sciences and Technology.
Donald Otoyo Ondieki holds a Phd in Music Performance and education from Kenyatta University, Nairobi, Kenya. He is currently the director of the Permanent Presidential Music Commission, the government department that oversees the music industry in Kenya.
Peter L. Barasa (Phd) is currently Acting. deputy Principal (Academics, student Affairs & research) Alupe University College Busia - a Constituent College of Moi University, Kenya. He is a Professor of Language education.
Simon Peter Otieno (Phd) is a graduate of the University of Leeds in the United Kingdom. Apart from being a consultant for the high profile Japanese film titled ‘Lion Standing in the Wind’ he has also written and directed films for the Kenya Schools and Colleges Film Festival.
Charity Muraguri Wamuyu is a lecturer and teacher educator at Thogoto Teachers’Training College in Kikuyu, Kenya. Her ongoing Phd is in the area of dance, a subject that forms the core of her mentorship and training programmes.
Maurice Okutoyi Amateshe is a graduate of Kenyatta University, with a Phd degree in music. He is currently a lecturer in the Department of Music and Dance at Kenyatta University, where he is also in charge of the university’s TV and Radio Station.
ISBN : 978 2 86978 717 9
CODESRIA 2017
Cet ouvrage est le fruit d’un processus participatif, rassemblant plusieurs auteurs d’horizons différents, mais résolument convaincus de la pertinence de s’intéresser, hier comme aujourd’hui, à la problématique du genre et de la migration. Si migration reste une affaire d’hommes, la migration des femmes s’intensifie en Afrique au cours de la dernière décennie avec l’accélération de la mondialisation libérale. De multiples conventions ont été adoptées et des protocoles additionnels élaborés pour préciser les contours des migrations internationales mais en dépit de l’évolution du cadre juridique, les droits humains des migrants, plus particulièrement ceux des migrantes, ne sont toujours pas encore effectivement assurés. L’inventaire des situations de vulnérabilité des femmes migrantes et des formes de violations de leurs droits humains révèle un vaste éventail de causes et renvoient à plusieurs référentiels.
La publication du présent ouvrage est un moment clé pour contribuer à l’évolution du cadre conceptuel « genre et migration ». Des tentatives de réponses y sont apportées en vue d’assurer l’effectivité des droits des migrantes et des migrants en Afrique notamment à partir de données scientifiques nécessaires pour informer des politiques publiques pertinentes et efficientes.
Marèma Touré-Thiam est docteur en sociologie, diplômée en sciences de l’éducation et spécialiste des sciences humaines et sociales au bureau d’Afrique de l’Ouest de l’UNESCO, elle a soutenu l’une des premières thèses africaines sur le genre, dès 1996 à la Sorbonne. Marèma Touré Thiam est actuellement chef de la section des sciences humaines et sociales au bureau régional de l’UNESCO/Breda à Dakar.
ISBN : 978 2 86978 858 9
CODESRIA 2021